| Course Name |
Masterpieces in Music History
|
|
Code
|
Semester
|
Theory
(hour/week) |
Application/Lab
(hour/week) |
Local Credits
|
ECTS
|
|
GEAR 203
|
Fall/Spring
|
3
|
0
|
3
|
4
|
| Prerequisites |
None
|
|||||
| Course Language |
English
|
|||||
| Course Type |
Service Course
|
|||||
| Course Level |
First Cycle
|
|||||
| Mode of Delivery | - | |||||
| Teaching Methods and Techniques of the Course | DiscussionQ&ALecture / Presentation | |||||
| National Occupation Classification | - | |||||
| Course Coordinator | ||||||
| Course Lecturer(s) | ||||||
| Assistant(s) | - | |||||
| Course Objectives | The aim of this course is to learn the masterworks of music and to identify the essential differences between them and any ordinary work. |
| Learning Outcomes |
The students who succeeded in this course;
|
| Course Description | In this course, masterworks of classical music history and basic information on those works will be presented. While students learn about these masterpieces, they will also learn about the composers of the works and have general information about the period in which the works were composed. They will also learn about the historical development of the orchestra. |
| Related Sustainable Development Goals |
|
|
|
Core Courses | |
| Major Area Courses | ||
| Supportive Courses | ||
| Media and Management Skills Courses | ||
| Transferable Skill Courses |
| Week | Subjects | Related Preparation |
| 1 | Orientation and introduction to the course | Sadie, S.,”Grove Music Dictionary”, Apel W.,”Harvard Dictionary of Music” |
| 2 | Brief Information About Baroque Instruments and the Baroque Period G.F. Handel- Sarabande, Water Music, The Arrival of the Queen of Sheba Vivaldi- The Four Seasons | Sadie, S.,”Grove Music Dictionary”, Apel W.,”Harvard Dictionary of Music”, Rosenblum, Sandra “Performance Practices in Classic Piano Music” Todd. Müziği Yaratanlar- Barok Dönem- Aydın Büke/ İpek Mine Altınel (İngilizce Çeviri notları ile) |
| 3 | J.S. Bach- Goldberg Variations, The Art of Fugue, Coffee Cantata, Toccata and Fugue in D minor, BWV 565 Scarlatti- Harpsichord Sonatas Albinoni- Adagio | Sadie, S.,”Grove Music Dictionary”, Apel W.,Harvard Dictionary of Music, personel archive and recordings,Film: ‘Mein name ist Bach’, Müziği Yaratanlar- Barok Dönem- Aydın Büke/ İpek Mine Altınel (İngilizce Çeviri notları ile) |
| 4 | J. Haydn- Surprise Symphony, Farewell Symphony General information about the structure of the orchestra and instruments L.v. Beethoven- Moonlight Sonata, 5th Symphony, 9th Symphony, Piano Concertos | Sadie, S.,”Grove Music Dictionary”, Apel W.,Harvard Dictionary of Music, Rosenblum, Sandra Performance Practices in Classic Piano Music Todd. Beethoven Recordings and films |
| 5 | A short life story of the W.A. Mozart W.A. Mozart- Symphony No. 40, The Magic Flute, The Abduction from the Seraglio, Requiem | The Enjoyment of Music/ K. Forney, A. Dell’Antonio Sadie, S.,”Grove Music Dictionary”, Apel W.,Harvard Dictionary of Music, Rosenblum, Sandra Performance Amadeus Movie |
| 6 | Schubert- Ave Maria, Erlkönig, Symphony No. 8, Trout Quintet Grieg- Peer Gynt Suite No. 1, Op. 46, Peer Gynt Suite No. 2, Op. 55 Mendelssohn - Violin Concerto in E minor, Op. 64 | Sadie, S.,”Grove Music Dictionary”, Apel W.,Harvard Dictionary of Music, Rosenblum, Sandra Performance Practices in Classic Piano Music Todd. L. Mendelssohn, Brian Newbould, Schubert: The Music and The Man Grieg recordings |
| 7 | Mendelssohn- A Midsummer Night’s Dream, Hebrides Overture, Scottish Symphony, Italian Symphony Orff- Carmina Burana Tchaikovsky- Pathetique Symphony, Symphonies No.4, No.5, Violin Concerto, Piano Concerto No.1, Swan Lake, The Nutcracker, 1812 Overture Saint Saens- Danse Macabre, The Carnival of the Animals | Sadie, S.,”Grove Music Dictionary”, Apel W.,Harvard Dictionary of Music,Mendelssohn, Orff, Tchaikovsky recordings, Tchaikovsky Ballets Videos, Saint-Saens Recordings |
| 8 | MIDTERM | |
| 9 | Chopin- Nocturne Op.9 No.2, Nocturne in C- Sharp Minor, Piano Sonata No.2, 24 Preludes, Polonaise- Fantasie, Revolutionary Etude Paganini- 24 Caprices, Concerto No.1, Violin Sonata No.6, La Campanella, Moses Fantasy | Sadie, S.,”Grove Music Dictionary”, Apel W.,Harvard Dictionary of Music, E.L. Voynich, Chopin’s Letters, Samson J., Music of Chopin The Devil’s Violinist- Paganini (Movie) |
| 10 | Schumann- Dichterliebe, Kinderszenen, Carnaval, Davidsbüntlertanze, Fantasiestücke, Symphony No.4, Papillons | Wilhelm Joseph von Wasielewski The Life of Schuman, Aydin Büke, Romantizmin Işığı Clara n, |
| 11 | Clara Schumann- Drei Romanzen Brahms- Hungarian Dances, Symphony No.3, Piano Concerto No.1, Symphony No.4, Violin Concerto Liszt- Liebestraum, Dante Symphony, La Campanella, Hungarian Rhapsody No.2, Transcendental Etudes | Sadie, S.,”Grove Music Dictionary”, Apel W.,Harvard Dictionary of Music. Geliebte Clara- Movie- Clara Schumann, Brahms, Liszt Recordings and presentations Romantizmin Işığı Clara- Aydın Büke Müzikte Romantik Dönem Bestecileri- Serhan Bali |
| 12 | Berlioz- Symphony Fantastique Pagliacci- Leon Cavallo Madame Butterfly, La Boheme, Turandot- Giacomo Puccini | Sadie, S.,”Grove Music Dictionary”, Apel W.,”Harvard Dictionary of Music”, Madame Butterfly, Il Pagliacci, La Boheme, Turandot recordings, Fantastic Symphony Recordings |
| 13 | Wagner- Der Ring des Nibelungen, Lohengrin Mahler- Symphonies, Kindertotenlieder Dvorak- Symphony No.9 “From the New World” Mussorgsky- Pictures at an Exhibition Rimsky Korsakov- The Flight of the Bumblebee, Scheherazade Debussy- Clair de Lune, Arabesque No.1, Prélude à l’après-midi d’un faune Stravinsky- The Rite of Spring | Sadie, S.,”Grove Music Dictionary”, Debussy, Wagner Opera recordings, Mahler Symphony recordings, Debussy recordings, Stravinsky ballets, Film: ‘Coco Chanel and Igor Stravinsky’, Rimsky-Korsakov, Mussorgsky, Dvorak recordings |
| 14 | Rachmaninoff- Piano Concerto No.2 Op.18, Prelude in C Sharp Minor Prokofiev- Dance of the Knights, Romeo and Juliet, Satie- Gnosienne 1, Gymnopedie 1, Morceau en Forme de Poire, Vexations, Parade | Sadie, S.,”Grove Music Dictionary”, Apel W.,Harvard Dictionary of Music J. Cage, Satie, Ravel recordings, Satie presentations,Rachmaninoff and Prokofiev recordings |
| 15 | Bartok- Romanian Folk Dances, Piano Concerto No.3, Concerto for Orchestra, Viola Concerto Saygun- İnci’nin Kitabı, Yunus Emre Oratoryosu, Köroğlu, Horon Erkin- Köçekçe, Piano Quintet, Duyuşlar, Keman Konçertosu Akses- 50. Yıl Marşı, Dağlar Alnar- Kanun Konçertosu, Çiftetelli Rey- Lüküs Hayat, 10. Yıl Marşı, Schostakovitch- Waltz No.2, Symphony No.5 | İLYASOĞLU Evin;71 Türk Bestecisi / 71 Turkish Composers, Bartok recordings and documentaries, Turkish Five recordings and interviews, Schostakovitch Recordings |
| 16 | Semester Review/ Final Exam |
| Course Notes/Textbooks | Dorling KINDERSLEY The Complete Classical Music Guide. DK Publishing (Dorling Kindersley), 2012. ISBN: 9781409383161 |
| Suggested Readings/Materials | Stanley SADIE Grove Dictionary of Music and Musicians. Oxford University Press, 2001. ISBN: 9780195170672 Willi APEL Harvard Music Dictionary. Harvard University Press, 1969. ISBN: 9780674375017 Ed. W. FRISCH Brahms and His World Princeton University Press. 1990 ISBN: 9781400833627 Jan SWAFFORD Johannes Brahms: A Biography. Random House USA Inc., 2003. ISBN: 9780679422617 E.L. VOYNICH Chopin’s Letters. Dover Publications, 1988. ISBN: 9780486255644 Jim SAMSON Music of Chopin. Clarendon Press, 1994. ISBN: 9780198164029 Brian NEWBOULD Schubert: The Music and The Man. University of California Press, 1999. ISBN: 9780520219571 Wilhelm Joseph von WASIELEWSKI The Life of Schumann. Blumenfeld Press,2011 ISBN: 9781446057056 Evin İLYASOGLU 71 Turkish Composers. Pan, 2007. ISBN: 9789944396257 |
| Semester Activities | Number | Weigthing |
| Participation |
1
|
15
|
| Laboratory / Application | ||
| Field Work | ||
| Quizzes / Studio Critiques | ||
| Portfolio | ||
| Homework / Assignments |
1
|
20
|
| Presentation / Jury | ||
| Project | ||
| Seminar / Workshop | ||
| Oral Exams | ||
| Midterm |
1
|
25
|
| Final Exam |
1
|
40
|
| Total |
| Weighting of Semester Activities on the Final Grade |
4
|
60
|
| Weighting of End-of-Semester Activities on the Final Grade |
1
|
40
|
| Total |
| Semester Activities | Number | Duration (Hours) | Workload |
|---|---|---|---|
| Theoretical Course Hours (Including exam week: 16 x total hours) |
16
|
3
|
48
|
| Laboratory / Application Hours (Including exam week: '.16.' x total hours) |
16
|
0
|
|
| Study Hours Out of Class |
14
|
3
|
42
|
| Field Work |
0
|
||
| Quizzes / Studio Critiques |
0
|
||
| Portfolio |
0
|
||
| Homework / Assignments |
1
|
10
|
10
|
| Presentation / Jury |
0
|
||
| Project |
0
|
||
| Seminar / Workshop |
0
|
||
| Oral Exam |
0
|
||
| Midterms |
1
|
10
|
10
|
| Final Exam |
1
|
10
|
10
|
| Total |
120
|
|
#
|
Program Competencies/Outcomes |
* Contribution Level
|
|||||
|
1
|
2
|
3
|
4
|
5
|
|||
| 1 |
Engineering Knowledge: Knowledge of mathematics, science, basic engineering, computer computation, and topics specific to related engineering disciplines; the ability to use this knowledge in solving complex engineering problems |
-
|
-
|
-
|
-
|
-
|
|
| 2 |
Problem Analysis: The ability to define, formulate, and analyze complex engineering problems by using fundamental science, mathematics, and engineering knowledge, while considering the relevant UN Sustainable Development Goals (SDGs) related to the problem. |
-
|
-
|
-
|
-
|
-
|
|
| 3 |
Engineering Design: The ability to design creative solutions to complex engineering problems; the ability to design complex systems, processes, devices, or products that meet present and future requirements, considering realistic constraints and conditions. |
-
|
-
|
-
|
-
|
-
|
|
| 4 |
Use of Techniques and Tools: The ability to select and use appropriate techniques, resources, and modern engineering and information technology tools, including prediction and modeling, for the analysis and solution of complex engineering problems, while being aware of their limitations |
-
|
-
|
-
|
-
|
-
|
|
| 5 |
Research and Investigation: The ability to use research methods, including literature review, designing experiments, conducting experiments, collecting data, analyzing and interpreting results, for the investigation of complex engineering problems. |
-
|
-
|
-
|
-
|
-
|
|
| 6 |
Global Impact of Engineering Practices: Knowledge of the impacts of engineering practices on society, health and safety, the economy, sustainability, and the environment within the scope of the UN Sustainable Development Goals (SDGs); awareness of the legal consequences of engineering solutions |
-
|
-
|
-
|
-
|
-
|
|
| 7 |
Ethical Behavior: Acting in accordance with the principles of the engineering profession; knowledge of ethical responsibility; awareness of acting impartially and inclusively, without discrimination in any matter. (FENG101) |
-
|
-
|
-
|
-
|
-
|
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| 8 |
Individual and Team Work: The ability to work effectively as an individual and as a member or leader of both intra-disciplinary and interdisciplinary teams (whether face-to-face, remote, or hybrid). |
-
|
-
|
-
|
-
|
-
|
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| 9 |
Verbal and Written Communication: Taking into account the various differences of the target audience (such as education, language, profession), particularly in technical matters. |
-
|
-
|
-
|
-
|
-
|
|
| 10 |
Project Management: Knowledge of business practices such as project management and economic feasibility analysis; awareness of entrepreneurship and innovation. |
-
|
-
|
-
|
-
|
-
|
|
| 11 |
Lifelong Learning: The ability to learn independently and continuously, adapt to new and emerging technologies, and think critically about technological changes. |
-
|
-
|
-
|
-
|
-
|
|
*1 Lowest, 2 Low, 3 Average, 4 High, 5 Highest
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